Leider wurde die Veranstaltung verschoben.
Das neue Datum lautet: - Zur neuen Veranstaltung
Das neue Datum lautet: - Zur neuen Veranstaltung
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20. Mai. 2023 / Samstag20:00 Uhr
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ReservierungReservierungen nicht mehr möglich.
Festnahme Operation gegen Künstlerinnen und Ausreiseverbot
Aufgrund der Verhaftungsaktion gegen Künstler in Amed und der Ausreisesperre musste diese verschoben werden.
Tartuffe DE
Şanoya Bajêr a Amedê (Amed Şehİr Tİyatrosu) /
In kurdischer Sprache / With English surtitles
Tartuffe by Molière - Yek per de komedi
Regie: Rüknettin Gün “Tartuffe ist zweifellos die meistgespielte französische Komödie aller Zeiten”1, doch Tartuffe gilt auch als eines der umstrittensten Werke seiner Zeit schlechthin. Das klassische Werk aus dem 17. Jahrhundert hat seinen Bann bis heute nicht eingebüßt. Immer wieder ist die Komödie in vielfacher Hinsicht interpretiert worden und die Inszenierungen haben die verschiedensten Schwerpunkte in sie gelegt.
Tartuffe auf kurdisch
Der scheinheilige Frömmler Tartuffe macht sich den wohlhabenden Bürger Orgon hörig und tyrannisiert dessen Familie. Orgon überschreibt ihm sogar seinen Besitz und will seine Tochter mit Tartuffe verheiraten. Erst als der Heuchler Orgons Frau verführen will, erwacht dieser aus seiner Verblendung.
dramatis personae
Özcan Ateş, Yavuz Akkuzu, Elvan Koçer, Berfin Emektar, Sena Özbay, Özkan Şeker, Rabia Alagöz, Şahperi Alphan, Salih Yıldızözü, İsmail Da
Tartuffe TR
Oyunun Konusu
Zengin bir aile babası olan Orgon, evine Tartuffe isimli yabancı bir adamı alır. Tartuffe oldukça dindar biri gibi görünür ve Orgon onu neredeyse bir aziz yerine koyar. Ona en iyi yiyecek ve içeceklerini sunar; konuğunun ihtiyaçlarını, karısının ve çocuklarınınkinin üstünde tutar. Kızını zorla Tartuffe ile evlendirip, oğlunu da devreden çıkarıp, Tartuffe’u tek mirasçısı yapmayı planlar. Orgon’un tüm arkadaşları ve ailesi, Tartuffe’un yüksek ahlaki değerlere sahipmiş gibi görünmeye çalışan bir hırsız ve vaazlarında söylediklerini uygulamayan biri olduğunun farkındadırlar. Orgon’u, Tartuffe’un onu hem maddi hem de manevi açıdan kandırabileceğine karşı uyarırlar; fakat Orgon bu uyarılara karşı kör ve sağırdır. En nihayetinde ihanete uğradığını, Tartuffe’un, karısını baştan çıkardığı sırada olaylara kulak misafiri olduğunda öğrenir ve Tartuffe’u evinden kovar. Tartuffe da Orgon’un mal varlığına el koyarak ve onu hapse attırmaya çalışarak intikam almak ister...
Who Are We ?
Who Are We ?Diyarbakır City Theater was founded by Diyarbakır Municipality in 1990, it was closed during the Refah Party period between 1995 and 1999, and the theater was reopened when the local government changed in 1999. The City Theater performed inTurkish until 2003 due to the political obstacles in front of the Kurdish language. The first Kurdish t theater was played in 2003 and until 2009, half of its repertoire consisted of Kurdish works. After 2009, All the plays were perfpormed completely in Kurmacî and Zazaki dialects of Kurdish. Until the trustee appointed by the AKP government to the municipality in November 2016 terminated the contracts of all theater actors in January 2017, the City Theater presented at least 5 theater plays, 2 of which were children's plays, to the audience.In 2012, Hamlet, an international (Amsterdam-Theater Rast) project, made a great impression with over 60 performances in Europe, Iraq and Turkey. In addition, it played the Kurdish epic Mem û Zîn and designed the Cemil Pasha Mansion in Diyarbakır's Sur district in the form of a venue theater with 60 actors and musicians, creating a strong work with a cultural texture. The period of Kurdish theater, performed with the support of local governments in Turkey, ended with unlawful procedures, but a new page was opened.
Diyarbakır City Theater actors, consisting of professional actors, came together without wasting time and decided to continue their theater traditions as Şanoya Bajêr a Amedê (Amed City Theater / AŞT). In February 2017, he started private theater with a new name and venue. AŞT created its artistic story by only bringing its productions together with the audience, without receiving economic support from state institutions.
Amed City Theatre filled a huge gap in the native language of independent and alternative theater not only in Diyarbakır but also in the whole region. Since 2017, it has managed to survive despite very difficult economic and political conditions. Through culture and art, it contributed to citizens, especially young people, to come together, freely discuss, produce content and activities, express themselves, and as a result, use Kurdish in the artistic field, and develop democratic citizenship and democracy.
As a result of the impact created by our artistic productions, a theater center which 150 people capacity was built in 2020 with the contributions of the audience, professional chambers, theater groups, arts supporter institutions such as EED and the Goethe Institute. Contrary to the public spaces squeezed by the political pressures of today's Turkey, AŞT reached an average of 8000 audience in 1 year with its productions.
It staged 13 plays, 4 theater festivals, 1 children's festival, 4 children's plays, in a four years special theater history with a group of 14 people who were dramaturg ,actors, directors and sound-lighting technicians. AŞT(Amed City Theatre) continues its uninterrupted adventure.